We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

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Fine Art. Antique Prints, Maps and Drawings

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"Lars Tunebo - “The Art Collector” - AI, digital image processing by hand and processed glitter, signed and numbered" Colour giclée titled “The Art Collector” by Lars Tunebo. Mixed digital media, artificial intelligence, and digital image tools by hand, hand-signed and numbered 1/15 by artist. Lars Tunebo, born in 1962 in Lysekil, is a self-taught artist based in Gothenburg. Known for his vibrant artworks blending humor with cultural symbols, he has exhibited widely across Europe, the Middle East, and the United States, captivating collectors with his imaginative animal characters in urban landscapes. Artist or MakerLars Tunebo MediumColour giclée Date2023

Lars Tunebo (1962) - The Art Collector - Mixed digital media, artificial intelligence, and digital image tools by hand

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Old master drawing, portrait of a man from the 18th century, probably from Italy, hand-signed. This 18th-century Old Master drawing, executed in ink and watercolor, presents a finely detailed portrait of a gentleman. The subject exudes an air of refinement, captured with expressive lines and delicate shading that emphasize his character and attire. The subtle use of watercolor enhances the depth and elegance of the composition, reflecting the artistic traditions of the time. Likely created by an unknown European master, this work exemplifies the skillful draftsmanship and keen observation that defined portraiture in the 18th century. Artist or Maker: Unknown, European School Dimensions:22 cm x 20 cm Medium: Watercolour with Ink Date: 1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European school (XVIII) - Old Master Drawing - Ink and Watercolor - Portrait of Man (1700s)

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”Street Improvements 1 (D-Dog)” Silkscreen on paper, limited edition of 150 exemplars, hand signed and numbered 26/150. Dean Stockton, known as DFace, creates provocative artworks spanning paintings, prints, sculptures, and murals that critique mainstream consumerism and the American dream using a Pop aesthetic. Influenced by New York's graffiti and skateboard cultures, his pieces often reinterpret iconic figures like Mickey Mouse and Kurt Cobain with symbols of mortality and excess. DFace's exhibitions span major cities worldwide, and he has collaborated with brands such as Haig Club, Triumph Motorcycles, and Uniqlo. Artist of MakerDean Stockton MediumColour giclée Date2008

D*Face aka Dean Stockton - Street Improvements 1 (D-Dog) - Limited Edition

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Description"Welcome Visitors" Serigraphy by Shepard Fairey, hand-signed and dated "21". Frank Shepard Fairey (born February 15, 1970) is an American contemporary artist, activist, and founder of OBEY Clothing who emerged from the skateboarding scene. He is known for the "Andre the Giant Has a Posse" sticker campaign and the Barack Obama "Hope" poster for the 2008 U.S. presidential election. Fairey is recognized as one of the most influential street artists, with his work included in prestigious collections like The Smithsonian and the Museum of Modern Art in New York City. His style is characterized by bold, iconic, and idealized images. Artist of MakerShepard Fairey MediumScreen printing Date2021

Shepard "Obey" Fairey - Welcome Visitors 

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This pair of 18th-century European School drawings features detailed character portraits labeled “Giuseppe” and “Carlo,” likely referencing stage names or archetypes from Commedia dell’arte or regional theatre traditions. Rendered in expressive ink and subtle wash, these bust-length figures are distinguished by their exaggerated theatrical hats and highly animated facial expressions.The first figure, Giuseppe, bears a playful gaze and rounded features, accentuated by his oversized jester-like hat and crimped ruff. His name is inscribed clearly below the portrait in fine calligraphy. The second portrait, Carlo, is more stoic and assertive, with furrowed brows and a larger upturned brim on his cap. His features are more angular, suggesting a more serious or commanding stage presence. These drawings exemplify the focus on gesture, costume, and identity central to 18th-century European theatre. The personalized inscriptions, expressive line work, and formalized poses suggest they may have served as reference material for costume designers, actors, or collectors of performance culture. Provenance:The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker:European School, 18th Century Dimensions:20 cm x 28 cm Medium:Ink and watercolor on paper Date:c.1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School (18th Century) – Set of 2 Ink and Wash Drawings – Theatrical Character Heads (c.1700s)

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European School (18th Century) – Giuseppe and Carlo in Character Hats – Ink and Watercolor Theatrical Portraits (c.1700s)

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This set of two expressive Old Master drawings from the European School of the 18th century features theatrical portraits of Mascarille and Chatautre — iconic characters from French and Italian Commedia dell’arte. Each figure is finely rendered in ink and watercolor, with handwritten French captions affixed below, describing their dramatic roles and symbolic costumes. Mascarille, portrayed with a wry smile and wide-brimmed hat, embodies the sly, witty valet typical of Molière’s theatre. The character is noted for his exaggerated gestures and fashionable appearance, a parody of the courtly servant class. Chatautre is shown with a ruffled collar and a high-plumed hat, gazing sideways with animated intensity. The figure is associated with more rustic or boisterous comedic archetypes, drawn from 17th-century provincial performance traditions. These works likely belong to a broader set of theatrical studies focused on the physical traits and costume designs of Commedia performers. They are notable for their confident brushwork, precise line, and sepia-tone washes — hallmarks of the 18th-century drawing tradition. Provenance:The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker:European School, 18th Century Dimensions:20 cm x 28 cm Medium:Ink and watercolor on paper Date:c.1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School (18th Century) – Mascarille and Chatautre – Set of 2 Ink and Watercolor Character Studies (c.1700s)

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This set of two theatrical ink and watercolor drawings from the 18th-century European School features distinctive portraits of Bianchin and Arleto, likely based on characters from the rich tradition of Commedia dell’arte. Executed with precise penwork and delicate tonal washes, these expressive faces are captured with stylized detailing and a focus on costume and gesture. The first figure, Bianchin, is portrayed with a wide ruffled collar and a tilted soft-brim hat with a pom-pom. His eyes are directed outward, mouth parted — possibly mid-speech or song — evoking the performative dynamism of stage actors. The second figure, Arleto, wears a similarly dramatic costume with scalloped collar and oversized hat, rendered with sharp shading and a theatrical gaze. The subtle differences in their features and poses hint at specific stock roles within 18th-century French or Italian comedic theatre. These drawings likely formed part of a study series dedicated to theatrical types, drawn either from costume studies or performance archives. They demonstrate a confident, stylized hand and serve as a vivid testament to the theatrical visual culture of the era. Provenance:The Winfield Robbins print collection of Arlington, Massachusetts. Dimensions: 20 cm x 28 cm Artist or Maker:European School, 18th Century Medium:Ink and watercolor on paper Date: c.1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School (18th Century) – Bianchin and Arleto – Ink and Watercolor Character Studies (c.1700s)

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Original ink illustration depicting a young man at his desk, interrupted by the ethereal presence of a haloed figure — likely Christ — gently guiding his hand as he writes. The scene is framed by a radio emitting radiant lines, along with books and a globe symbolizing knowledge and communication. The composition combines religious iconography with modern elements of the 1940s, capturing a moment of divine inspiration amidst worldly study. Kurt Gullberg was a Swedish illustrator and graphic artist active in the mid-20th century. His work is noted for its strong contrasts, spiritual undertones, and social themes. Though not widely documented, Gullberg’s drawings reflect the style and moral sensibility of Scandinavian religious publishing in the WWII and post-war years. Artist or Maker:Kurt Gullberg Dimensions:32 cm x 25 cm Medium:Ink on paper Date:c.1940s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Kurt Gullberg – Spiritual Guidance in the Age of Radio – Original Ink Drawing (c.1940s)

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This powerful ink drawing presents a symbolic scene of a young man—possibly a cadet or student—sitting at a desk surrounded by books, a globe, and a glowing radio set. A luminous figure of Christ stands behind him, guiding his writing hand with calm authority. The composition blends modern educational symbols with spiritual presence, reflecting mid-20th-century Christian pedagogical ideals. The contrast between dark ink and radiant lines evokes both tension and transcendence. Gunnar Widholm (1882–1953) was a Swedish illustrator and graphic artist known for his contributions to educational and religious visual culture in early 20th-century Scandinavia. His works are characterized by expressive chiaroscuro, narrative symbolism, and moral clarity, often designed to inspire and instruct. Though less widely documented than his contemporaries, Widholm’s illustrations remain powerful artifacts of mid-century Northern European visual storytelling. Artist or Maker:Gunnar Widholm Dimensions:32 cm x 25 cm Medium:Ink on paper Date:c.1940s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.