We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

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Fine Art. Antique Prints, Maps and Drawings

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1786c_8dd670f50ccc804

This 19th-century chromolithograph was published in Vanity Fair on July 2, 1892. It is part of the famous Vanity Fair caricature series, known for its satirical yet elegant depictions of prominent political, cultural, and social figures of the era. The subject is depicted in a relaxed seated pose, dressed in formal attire, with expressive facial features that emphasize his character. The caricature is titled "The Cautious", suggesting a reference to the individual’s reserved or strategic nature in public or political life. Printed by Vincent Brooks, Day &amp; Son, one of the leading lithographic firms in London, the artwork showcases the signature style of Vanity Fair portraits—exaggerated yet respectful representations of influential personalities. These caricatures were highly sought after and remain collectible historical artifacts today. Artist or maker: Vincent Brooks, Day &amp; Son Medium:Chromolithograph Date:1892 Dimensions:27 cm × 38 cm Condition Description:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Vincent Brooks, Day & Son – Caricature Lithograph – "The Cautious" (Vanity Fair, 1892)

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1937c_8dd68af00ddc22f

This superb hand-coloured copper engraving by Jacques de Sève (fl. 1742 – 1788), originates from Louis Leclerc de Buffon’s majestic work "Histoire Naturelle, Générale et Particulière" (General and Particular Natural History). The work was published in Paris, 1770. De Sève was commissioned by Georges-Louis Leclerc, Comte de Buffon to provide the quadruped illustrations for Histoire naturelle, générale et particulière (1749-1778, in 36 volumes) (François-Nicolas Martinet did the birds) and then Buffon's Recueil de Vingtquatre Plantes et Fleurs (1772). He also illustrated work by Duhamel du Monceau, Claude Perrault (later editions) and parts of Encyclopédie Méthodique. His illustrations are sometimes exact anatomical representations or show the animals against landscape backgrounds. They were engraved by Louis Le Grand. His son, Jacques Eustache also worked as an artist and engraver, contributing to the later Suites à Buffon. Together father and son produced thousands of illustrations.Georges-Louis Leclerc, Comte de Buffon, was a prominent French naturalist and scientist of the 18th century. He is renowned for his significant contributions to natural history, particularly through his work "Histoire Naturelle". His writings encompass various aspects of the animal kingdom, including zoology, botany, and geology. Buffon also made important contributions to the fields of anthropology and evolutionary biology, influencing many subsequent scientists. His works remain a significant source of knowledge and inspiration for researchers in the natural sciences to this day. Artist or Maker:Jacques de Sève Dimensions:26 cm x 20 cm Medium:Engraving Date:1770

Jacques de Seve & Comte de Buffon - Hand-coloured Engraving  - Le Muscardin - Dormice, asleep and awake - 1770	

1812b_8dd677c0c4e7aa7

This beautifully illustrated set of two antique zoological engravings showcases a variety of marine and Arctic mammals, including the polar bear (Ursus maritimus), walrus (Odobenus rosmarus), common seal (Phoca vitulina), and sea lion (Arctocephalus australis). These finely detailed engravings highlight the distinctive anatomy, fur textures, and natural habitats of these species, demonstrating the scientific accuracy and artistic craftsmanship of 19th-century natural history illustrations. Published by William MacKenzie, a notable 19th-century publisher specializing in encyclopedic and scientific works, these plates were part of an extensive natural history series. MacKenzie’s publications were highly regarded for their detailed hand-colored engravings, serving both as educational references and as stunning decorative pieces. This set of two plates is a valuable historical record of 19th-century zoological documentation, emphasizing the fascination with wildlife and exploration during this period. Artist or maker: Published by William MacKenzie Medium: Lithographs Date: 1860s Dimensions: 19 cm × 27 cm each Condition Description:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

William MacKenzie – Antique Lithographs - Set of 2 Prints – "Polar Bear, Walrus, Seal & Sea Lion"

1863c_8dd67c4157ef17f

These hand-coloured engravings by Joseph Pitton de Tournefort after Claude Aubriet, originates from ”Institutiones rei herbariae. Editio tertia... 3rd ed. (in fact second latin ed.)”. The work was published in Paris, 1719. This work is considered to be one of Tournefort's major botanical works. Linné (Linnaeus) named the plant Tournefortia after him. The present edition is in fact the second Latin edition, the first edition refers to the 'Élémens de botanique'; Hunt 450: "Tournefort's significance lies in the fact of having classified all plants into genera. Hundreds of the generic names coined or accepted by him were later adopted by Linnaeus and are in use today ." Joseph Pitton de Tournefort (1656–1708) was a French botanist and explorer, renowned for his contributions to the field of botany. He is best known for his work "Institutiones rei herbariae," which provided a systematic classification of plants into genera, laying the groundwork for future botanical studies. Tournefort's classification system was influential and was later expanded upon by Carl Linnaeus, who named the genus Tournefortia in his honor. Tournefort traveled extensively, particularly in the Mediterranean region, where he studied various plant species and gathered valuable specimens. His meticulous observations and detailed descriptions helped to advance the understanding of plant taxonomy and botanical nomenclature during the late 17th and early 18th centuries. His work is considered a significant milestone in the history of botany. Provenance: Carl Olof Agardh (1785-1859), Swedish algologist; August Rudberg (1842-1912), Swedish clergyman and botanist. Ref. Nissen 1977, Pritzel 9427. Stafleu: TL-2 14783; Hunt 450. Artist or Maker: Joseph Pitton de Tournefort Dimensions:18 cm x 23 cm Medium: Engraving Date: 1719 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joseph Pitton de Tournefort (1656–1708) - Set of 4 Hand-coloured Engravings - Botanical - Hawkweed, Black salsify, Lettuce, Chinaberry

1898c_8dd67dd933ef190

These magnificent chromolithographs are from the Elias Fries ”Sveriges ätliga och giftiga svampar” (Sweden's Edible and Poisonous Mushrooms). The work was published by the Royal Swedish Academy of Sciences in Stockholm between&nbsp;1860 and 1866.&nbsp; Elias Fries, often called the "father of mycology," published several groundbreaking works on fungi during the first half of the 19th century. "Sveriges ätliga och giftiga svampar" was published by the Royal Swedish Academy of Sciences and P. A. Norstedt &amp; Sons, reflecting its dual purpose as both scientifically accurate and educational, focusing on the use of mushrooms. It was released over seven years in ten separate installments. The colorful plates were executed in chromolithography by A. J. Salmson based on drawings by Elias&nbsp;Pettersson and Petter Åkerlund. Dimensions27 cm x 36 cm Artist or MakerElias Fries MediumChromolithography Date1860-1866 Condition Description:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Elias Magnus Fries (1794–1878) – "Set of 2 Mycological Prints – Lactarius Pallidus & Lactarius Turpis" – Lithographs with Printed Coloring (1821–1832)

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Hand-coloured engraving by Pierre-Quentin Chedel after François Boucher originates from the first edition of Antoine Joseph Dezallier de Argenville’s work ”L’histoire naturelle éclaircie dans deux de ses parties principales. La Lithologie et la Conchyliologie, dont l'une traite des Pierres et l'autre des Coquillages”. The work was published in Paris, 1742. Pierre-Quentin Chedel (1705–1763) was a French engraver and illustrator active during the 18th century. He is known for his detailed and elegant copperplate engravings, which often accompanied scientific, historical, and artistic works. Chedel collaborated with prominent artists of his time, such as François Boucher, for whom he created engravings that brought intricate designs to life. His works are particularly admired in books on natural history, including illustrations of shells, stones, and other subjects in Antoine Joseph Dezallier d'Argenville's L'histoire naturelle éclaircie. Chedel's engravings are celebrated for their precision and artistic refinement. Artist or Maker:&nbsp;Antoine Joseph Dezallier de Argenville Dimensions:21 cm x 28 cm Medium:&nbsp;Engraving Date:&nbsp;1742 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.