Jacques de Sève (active 1742–1788) – Le Bouc de Juda (The Buck of Judea) – Copperplate Engraving by Charles Baquoy from Histoire Naturelle by Buffon (Late 18th Century)

Friedrich Justin Bertuch (1747–1822) – Various Snakes (Amphibians Plate XXVIII) – Hand-colored Engraving (circa 1810)

Conrad Gessner (1516–1565) – De Salamandra (On the Salamander) from History of Animals Book II – Woodcut (1554)

François Valentijn (1666–1727) – Exotic Marine Life with Fishing Nets – Copperplate Engraving (1724)

Robert de Launay (1749–1814) after Jean-Baptiste Daudet (fl. 1764–1804) – Studies of Pigs from Buffon's Histoire Naturelle – Engraving (1778)

Georges Louis Leclerc, Comte de Buffon – Le Loir (The Dormouse) – Engraving

Georges Louis Leclerc, Comte de Buffon (1707–1788) – Le Sajou Brun (The Brown Saijou / Tufted Capuchin) – Engraving (1774)

Georges Louis Leclerc, Comte de Buffon (1707–1788) – Le Marikina (The Marikina Monkey) – Engraving (1767)

Georges Louis Leclerc, Comte de Buffon (1707–1788) – Le Mico (The Mico Marmoset) – Engraving (1767)

Georges Louis Leclerc, Comte de Buffon (1707–1788) – Le Raton (The Raccoon) from Histoire Naturelle – Engraving (1760)

Conrad Gessner (1516–1565) – De Rana Gibbosa (On the Humped Frog) from History of Animals Book II – Woodcut (1554)

Frederick de Wit (1629–1706) – Studies of Crab and Lobster – Copperplate Engraving (ca. 1650)

Frederick de Wit (1629–1706) – Studies of Fish – Copperplate Engraving (ca. 1650)

François Valentijn (1666–1727) – Tropical Fish Species – Copperplate Engraving (1726)

Marcus Elieser Bloch (1723–1799) – Gymnotus Carapus and Gymnotus Macrurus – Hand-Coloured Engraving – 1785

Marcus Elieser Bloch (1723–1799) – Pleuronectes Zebra – Hand-Colored Copperplate Engraving – 1785–1797

Marcus Elieser Bloch (1723–1799) – Small Flounder (Pleuronectes Malachius) – Hand-Coloured Copper Engraving (1785–1788)

Georges Cuvier (1769–1832) – The Meagre and The Spotted Flathead from The Animal Kingdom – Hand-colored Engraving (1817-1830)

Georges Cuvier (1769–1832) – Various Fish (Plate 74) from The Animal Kingdom – Hand-colored Engraving (1817-1830)

Georges Cuvier (1769–1832) – The Eyed Flathead and The Broad-Headed Conger Eel (Plate 76) from The Animal Kingdom – Hand-colored Engraving (1817-1830)

Georges Cuvier (1769–1832) – Various Fish (Plate 80) from The Animal Kingdom – Hand-colored Engraving (1817-1830)

François Martinet (fl. 1760–1800) – Chinese Lory – Original Hand-Colored Engraving – France, ca. 1780s

Conrad Gessner (1516–1565) – De Anate Fera Fusca vel Media – Woodcut Illustration (16th Century)

Veremondo Rossi – Tucano o sia Pica del Brasile - Hand-Colored Engraving - (Mid-18th Century)

Magnus von Wright (1805–1868) – Tawny Owl (Strix Aluco) – Chromolithograph (1920)

Frederick de Wit (1629–1706) – Study of Herons – Copperplate Engraving (ca. 1650)

Frederick de Wit (1629–1706) – Two Parrots on Branches – Copperplate Engraving (ca. 1650)

Robert de Launay (1749–1814) after F. Defehrt (fl. 18th Century) – Studies of Turkeys from Buffon's Histoire Naturelle – Engraving (1771)

François Nicolas Martinet (1731–1800) – La Gelinotte Femelle (The Female Hazel Grouse) – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – Fiscal Shrike from the Cape of Good Hope and Rufous-backed Shrike from Senegal – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – Le Tinamou de Cayenne (The Tinamou of Cayenne) – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – La Gelinote Mâle (The Male Hazel Grouse) – Hand-colored Engraving (1783)

Johann Wilhelm Weinmann (1683–1741) – Convolvulus with Blue and Orange Flowers – Engraving (18th Century)

Johann Wilhelm Weinmann - Dracunculus Species – Hand-Coloured Copper Engraving

Johann Wilhelm Weinmann (1683–1741) – Campanula urticaefolia Varieties – Hand-Coloured Engraving (18th Century)

James Sowerby – Picris Echioides – Bristly Ox-tongue – Hand-Coloured Engraving - 1790–1814

James Sowerby – Betonica Officinalis (Wood Betony) – Hand-Coloured Engraving - 1790–1814

James Sowerby (1757–1822) – Set of 8 Studies – Clubmoss & Scarlet Lichen – Hand-Coloured Engravings (1790–1814)

James Sowerby (1757–1822) – Set of 8 Studies – Alpine Grimmia & Sea-Heath – Hand-Coloured Engravings (1790–1814)

Johann Joachim Becher (1635–1682) – Set of 2 Hand-coloured Botanical Engravings – Phythologia: Halimus, Berberis, Agrifolium & Oxyacantha (1662)

Johann Joachim Becher (1635–1682) – Phythologia: Erica, Erica Italica & Tilia - Hand-coloured Botanical Engraving – (1662)

Johann Joachim Becher (1635–1682) - Phythologia: Weiden oder Selbinge & Erbbeben – Hand-coloured Botanical Engraving – (1662)

Johann Joachim Becher (1635–1682) - Rhamnus & Erica – Phythologia: Rhamnusa & Erica – Hand-coloured Botanical Engraving - (1662)

Jean-Baptiste de La Caille Dezallier d'Argenville (1680–1765) – Antique Shell Engravings – Copperplate Engravings (circa 1780)

Alexander Calder (1898–1976) – Original Lithograph – DLM 221 – 1976

Joan Miró – Abstract Composition with Primary Colors – Color Lithograph

Antoni Tàpies – Á Cortazar – Lithograph from Derrière Le Miroir No. 234 – 1979

Antoni Tàpies (1923–2012)– Untitled – Lithograph from Derrière Le Miroir No. 234