We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

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Fine Art. Antique Prints, Maps and Drawings / 05-07-2025, 18:00 CET

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Joan Miró. Bookwork, Al Torchio. Inks, etchings, lithographs, various engravings, illustrations, and prints, Paris, 1972. Editor Yvon Taillandier, printed in Paris, 1972. Contains 5 lithographs by Miró. Publisher's binding with accompanying cardboard covered in blue leather. Artist of MakerJoan Miró Date1972

Joan Miró - Modern Art - Bookwork with 5 Original Lithographs

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This lithograph titled&nbsp;"Imenoteeth"&nbsp;was created by Arman (Armand Pierre Fernandez) in 1977. Known for his radical approach to the use of objects in art, Arman is recognized for his "accumulations" – works composed of collections of everyday objects arranged and transformed into art. In this piece, he explores the idea of mass production and the tension between the utilitarian nature of objects and their new artistic context. Imenoteeth&nbsp;captures a fascinating juxtaposition of organic forms and industrial aesthetics. Arman’s signature technique involves layering or clustering items to reveal the unexpected beauty in repetition and excess, as seen in the intricate depiction in this lithograph. This work belongs to the tradition of Pop Art and conceptual art that Arman helped shape, using non-traditional media to convey deep philosophical and cultural commentary. The composition is a lithograph in colours, signed and numbered 133/250. Artist or Maker:Arman (1928–2005) Medium:Lithograph in colours Date:1977 Dimensions:56 cm x 42 cm Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Armand Pierre Fernandez (1928–2005) – "Imenoteeth" – Lithograph (1977)

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The rare collection of 4 graphic works includes preparatory sketches and drafts for the creation of set designs for Eduardo De Filippo’s "Il Contratto". The premiere took place in 1967 at the San Ferdinando Theater in Naples. Although these are preparatory drawings, they showcase the remarkable artistic quality of Renato Guttuso, evident in his bold black lines that vividly depict tangible realities. This series reflects two key elements of Guttuso's art: his realism, characterized by detailed representation, and his precise exploration of volumes and geometric forms across multiple perspectives. Renato Guttuso, born in Bagheria in 1911 and passed away in Rome in 1987, was an artist deeply engaged in politics and social issues. His art stemmed from socialist ideals and indignation against social injustice and abuses of power. He was part of the Fronte Nuovo delle Arti group, developing a Realist-Expressionist style and creating his "social art." His most notable works of Neorealist art include masterpieces like Fucilazione in Campagna and Fuga dall’Etna. He was also elected senator twice, in 1976 and 1979, for the Italian Communist Party. Artist or maker:Renato Guttuso Dimensions:46 cm x 65 cm Medium:Serigraphy Date:not indicated, probably from 1967 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Renato Guttuso (1911-1987) - Rare Set of 4 scenographic sketches for Eduardo De Filippo’s "Il Contratto" - Hand-signed - Silkscreen / Serigraph

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This original edition of Derrière Le Miroir is devoted entirely to Gérard Titus-Carmel’s Suite Narwa, published by Maeght Éditeur in Paris in 1976. The unnumbered issue features a series of colour lithographs and printed reproductions reflecting Titus-Carmel’s intricate, conceptual works focused on fragile constructions, broken symmetry, and the poetic logic of collapse. His architectural and geometric motifs are rendered with exceptional graphic delicacy, combining the analytical with the ephemeral. The publication belongs to the renowned Derrière Le Miroir series, which showcased 20th-century masters through specially commissioned lithographs and essays, forming a cornerstone of postwar artist-publisher collaboration in France. Gérard Titus-Carmel (b. 1942) is a leading French painter and writer associated with lyrical abstraction and conceptual figuration. Gaining international recognition in the 1970s, his work is marked by series-based exploration of objects and their transformation, decay, and material presence. His visual practice is often accompanied by poetic and theoretical writings, reflecting his dual engagement with image and text. Titus-Carmel’s work has been exhibited widely and is represented in major museum collections across Europe. Artist or Maker: Gérard Titus-Carmel Dimensions: 38 cm x 28 cm Medium: Illustrated Art Booklet (Color Lithographs and Reproductions) Date: 1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gérard Titus-Carmel – Suite Narwa – Derrière Le Miroir – Illustrated Booklet with Lithographs – Maeght Éditeur, Paris (1976)

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This original lithographic cover was published by Maeght Éditeur in Paris in 1979 for issue No. 240 of Derrière Le Miroir, entirely devoted to Edward Kienholz. The composition, printed on thick wove paper, features a juxtaposition of speaker components and reflective planes in tones of black, yellow, and metallic gray. This visual motif mirrors Kienholz's interest in media, communication systems, and objecthood—central concerns of his assemblage practice. His engagement with themes of surveillance, technology, and institutional control is abstracted here into a striking modernist graphic. Edward Kienholz (1927–1994) was a leading figure in American installation art and assemblage. He first gained critical attention in the 1960s for provocative works addressing race, poverty, war, and American consumer culture. His work is housed in major institutions including MoMA, LACMA, and the Stedelijk Museum. Kienholz collaborated with his wife, Nancy Reddin Kienholz, from the 1970s onward, developing a rich visual language of social critique through immersive environments. Artist or Maker: Edward Kienholz Dimensions: 38 cm x 28 cm Medium: Lithographic Print (Cover) Date: 1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Edward Kienholz (1927–1994) – Derrière Le Miroir No. 240 – Lithographic Cover Design (1979)

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This edition of Derrière Le Miroir, published by Maeght Éditeur in Paris in 1971, is dedicated to the vibrant and surrealistic work of Richard Lindner. The publication includes several color lithographs and high-quality reproductions, highlighting Lindner’s iconic fusion of machine-like precision, pop eroticism, and theatrical figuration. The cover features two stylized figures locked in a symbolic and ambiguous embrace, referencing Lindner’s recurring interest in costumes, fetishism, and the dynamics of gender and power in urban settings. The booklet captures Lindner’s bold use of color, stylized outlines, and symbolic narratives, making it one of the most visually striking issues in the Derrière Le Miroir series. Richard Lindner (1901–1978) was a German-born painter who became a U.S. citizen after fleeing Nazi Germany and settling in New York. His unique style merged elements of German expressionism, American pop art, and surrealism. Known for his highly original portrayals of modern identity and sexuality, Lindner explored themes of alienation, fetish, and performance through mechanical forms and vivid palettes. His work played a vital role in post-war transatlantic modernism and remains celebrated for its psychological depth and provocative imagery. Artist or Maker: Richard Lindner Dimensions: 38 cm x 28 cm Medium: Illustrated Art Booklet (Color Lithographs and Reproductions) Date: 1971 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Richard Lindner (1901–1978) – Derrière Le Miroir – Illustrated Art Booklet (1971)

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This original issue of&nbsp;Derrière Le Miroir&nbsp;is devoted to the series&nbsp;Suite Narwa&nbsp;by Gérard Titus-Carmel and was published by Maeght Éditeur in Paris in 1976. The booklet includes color lithographs and reproductions of Titus-Carmel’s conceptual works centered on themes of construction, tension, and fragile structures rendered with meticulous draftsmanship and poetic abstraction. The publication was part of the legendary art series&nbsp;Derrière Le Miroir, which presented the works of leading 20th-century artists in collaboration with the Maeght Foundation. Gérard Titus-Carmel (born 1942) is a French painter, poet, and writer associated with lyrical abstraction and conceptual drawing. He gained prominence in the 1970s for his investigations into objects, fragmentation, and decay, often explored through delicate ink drawings and serial studies. His works are held in major public collections across Europe, and he has published extensively on art and philosophy. Artist or Maker:Gérard Titus-Carmel Dimensions:38 cm x 28 cm Medium:Illustrated Art Booklet (Color Lithographs and Reproductions) Date:1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Oliviero Toscani (born 1942) - Exhibition Poster - Large Portrait of Andy Warhol - (1976)

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This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

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This original edition of Derrière Le Miroir, published in 1980 by Galerie Maeght, is dedicated to the work of German painter Konrad Klapheck. Known for his surreal depictions of typewriters, sewing machines, telephones and bicycles, Klapheck here presents a series of works that blur the line between objectivity and subconscious tension. The volume includes striking full-page illustrations in both colour and black and white. This copy is signed and inscribed on the first page in blue ink: “Für Frau Gertrud Limberg herzlich – Konrad Klapheck”. The text is presented in French, German, and English. The spine shows minor damage and there is light foxing present, but overall the book remains in fine collectible condition. Artist or Maker:Konrad Klapheck Dimensions:28 cm x 38 cm Medium:Offset-printed artist book with autograph Date:1980 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Konrad Klapheck – Derrière Le Miroir: Klapheck – Illustrated Artist Book with Autograph (1980)

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This original lithograph by Arman Fernandez features an abstract composition characterized by overlapping linear forms and gestural splashes in earthy tones. The print is hand-signed by the artist and numbered, indicating its limited edition nature. Arman, a French-American artist associated with Nouveau Réalisme, was renowned for his exploration of accumulation, destruction, and transformation of objects in both painting and sculpture. This work reflects his dynamic visual language and experimental approach to printmaking during the mid-20th century. Artist or Maker: Arman Fernandez Dimensions: 65 cm x 48 cm Medium: Lithograph on paper Date: Mid 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arman Fernandez (1928–2005) – Abstract Composition – Signed and Numbered Lithograph (Mid 20th Century)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.