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Fine Art. Antique Prints, Maps and Drawings / 30-08-2025, 18:00 CET

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DLM publié en avril 1966 pour l’exposition de 254 œuvres en hommage à la Revue Blanche à la Galerie Maeght. Texte d’Annette Vaillant et Jacques Salomon. 48 pages non reliées. 3 reproductions en impression lithographique en couleurs d’après Bonnard, Roussel, Vuillard. 8 reproductions en impression lithographique en noir d’après Toulouse-Lautrec, Vuillard, Bonnard, Seurat… Tirage original. Artist or Maker:Pierre Bonnard Dimensions:38 cm x 28 cm Medium:Lithograph Poster, Illustrated Album Date:1894 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pierre Bonnard (1867–1947) – La Revue Blanche – Complete Portfolio – Lithograph Poster and Illustrated Album (1894 / 1966)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) after - Collotype printed in red "Sitzende Frau" (Sitting Frau)

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Gustav Klimt (1862-1918) after - Collotype Sitzende Frau (Sitting Frau)

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This elegant ink and wash portrait depicts a young man with long curled hair, a stylized beret-like cap, and a dramatic ruffled collar. The subject’s idealized facial features and attire suggest a historicizing or theatrical theme, common in 19th-century academic and decorative portrait studies. The inscription “La Caille” below the figure may refer to a character name or a creative title rather than a specific identity. Likely originating from a European school of the early-to-mid 19th century, the drawing exemplifies the precision and romantic flair of portrait sketching from the period. Artist or Maker:Unknown, European School Dimensions:22 cm x 24 cm Medium:Ink and wash on paper Date:19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Man in a Cap – Ink Drawing on Paper

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Original 18th-century drawing in sepia ink and wash attributed to the European academic school, depicting a young woman in three-quarter view with refined features, ruffled clothing, and period hairstyle. The inscription “Mlle Bonthaux” suggests a personal or commissioned portrait. Executed with precise ink work and tonal modulation, the piece reflects the portrait conventions and draftsmanship practices of the 1700s. Artist or Maker:Unknown Dimensions:19 cm x 26 cm Medium:Ink and wash on paper Date:1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Unknown – European School (18th Century) – Portrait of a Woman in Sepia Ink

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This caricature-like ink drawing from the 19th century presents a theatrical or comic portrait of a man wearing round spectacles and a ruffled bonnet tied with ribbons. His expression is serious yet exaggerated, and the ruff collar and costume suggest a burlesque or comedic figure, possibly from stage or satirical tradition. The drawing is rendered in brown ink with confident line work and areas of subtle wash for depth. It is inscribed faintly with the name “Rosetti,” though the attribution remains uncertain. The work is typical of the European School’s interest in theatrical character studies and humorous types. Artist or Maker: European School Dimensions: 21 cm x 16 cm Medium: Ink Drawing on Paper Date: 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Man in Spectacles and Frilled Cap – Ink Drawing (19th Century)

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3 vol., folio: [10]-569-[1], [2]-370-[1], [2]-386-[1] pp.; 67 pl. (vol. 1: sm. marg. hole f. 5G, marg. tear in fold of pl. of Villers Abbey, sm. marg. damp stain in lower outer corner of last ff., vol. 2: marg. damp stain in the inner corner on some ff. in the middle and in the upper outer corner at the end, occ. spotting throughout but min. on pl.). - Second ed. of this topographical work, profusely illustrated with large views of abbeys and monasteries. This ed. is particularly interesting from a topographical viewpoint because of some renovations to the buildings since the 1st ed. (1656-1666), the new pl. are oriented differently as&nbsp;well. Engr. ill.: 1 front.-portrait of Sanderus by F. van Bleyswyck, headpiece with portrait and coat of arms of the dedicatee Marie-Elisabeth by F. Bleysweyck, 3 title-vign. by D. Coster, 5 full-page pl. depicting i.a. Our Lady of Montaigu and Archduke Leopold William kneeling before the Virgin of Alsemberg, 61 double-page pl. showing abbeys, monasteries, convents, incl. Affligem, Brussels, Antwerp, Mechelen, Leuven, Averbode, Grimbergen, Tongerlo, Villers, etc., numerous in-text ill. depicting coats of arms of monasteries and their abbots or saints. Title in red &amp; black. - Ref. BB V:64-68:S-216. - STCN. - Prov. G. Bongaerts, pastor, who acquired the 3 vol. for 20 florins in 1806 (ms. entries in vol. 2 and 3). - Unidentified armorial bookpl. with ms. shelf mark (vol. 1). Artist or Maker:Antonius Sanderus Dimensions:37 cm x 25 cm Medium:Printed book with copperplate engravings Date:c.1659 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antonius Sanderus (1586–1664) – Chorographia Sacra Brabantiae – 1659–1674

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A major early 17th-century compilation of classical Roman military treatises, including De Re Militari by Flavius Vegetius Renatus, Strategemata by Frontinus, and additional military works by various ancient authors. This edition, published in 1607, was prepared by Dutch humanist Petrus Scriverius and enriched with commentary by Godfried Stewechius and Franciscus Modius. The volume includes 47 impressive woodcuts depicting Roman siege machines, formations, coins, and tactical diagrams. Printed in Latin, the book is a vital source for the study of ancient military science during the Renaissance. Condition ReportBound in contemporary limp vellum with handwritten spine title. The binding is worn with some soiling; text pages show minor foxing, consistent with the book’s age, but it remains in good condition overall. Artist or Maker:Flavius Vegetius Renatus Dimensions:21 cm x 16 cm Medium:Printed book with woodcut illustrations Date:1607 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.