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Fine Art. Antique Prints, Maps and Drawings / 16-08-2025, 18:00 CET

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This compelling print by Joan Miró, titled "Tracé sur la Paroi III" (Trace on the Wall III), showcases a dynamic abstract composition against a textured grey background. A bold, horizontal black stroke, resembling a raw mark or symbol, traverses the lower portion, complemented by a large, sweeping green crescent shape that dominates the upper right. The artwork is punctuated by vibrant circular forms in blue, pink, and orange, along with smaller red and yellow vertical accents. Thin black lines and enigmatic abstract symbols are scattered across the surface, creating a rich interplay of form, texture, and color that evokes a sense of ancient marks or spontaneous gestures. Joan Miró was a celebrated Spanish painter, sculptor, and ceramicist, a pivotal figure in the Surrealist movement. Known for his distinctive abstract and whimsical style, he developed a unique pictorial language that blended elements of Cubism, Fauvism, and folk art. Throughout his prolific career, Miró explored themes of poetry, dreams, and the subconscious. His later work, particularly his innovative printmaking, often incorporated textured effects, such as carborundum etching, to create powerful and expressive graphic pieces that are highly sought after for their artistic depth and profound symbolic content. Artist or Maker: Joan Miró Dimensions: Approximately 55 cm x 70 cm Medium: Color Etching with Aquatint and Carborundum Date: 1968 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joan Miró (1893–1983) – Tracé sur la Paroi III – Color Etching with Aquatint and Carborundum (1968)

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This vibrant color lithograph by Joan Miró presents an abstract and surreal composition, rich with the artist's characteristic whimsical figures and cosmic motifs. The artwork features a playful interplay of bold blue lines forming a central, almost architectural structure, populated by organic shapes and fantastical humanoid figures. Scattered star-like forms in black, yellow, and red add a celestial dimension, while splashes of pink, green, and orange introduce dynamic color accents. The textured background enhances the dreamlike and energetic quality of the piece, inviting viewers into Miró's unique visual universe. Joan Miró was a celebrated Spanish painter, sculptor, and ceramicist, a pivotal figure in the Surrealist movement. Known for his distinctive abstract and whimsical style, he developed a unique pictorial language that blended elements of Cubism, Fauvism, and folk art. Throughout his prolific career, Miró explored themes of poetry, dreams, and the subconscious, often translating his vibrant imagination into an extensive body of graphic work, including numerous lithographs, etchings, and prints, which are highly sought after for their playful spirit and profound artistic innovation. Artist or Maker: Joan Miró Dimensions: Approximately 40 cm x 30 cm Medium: Color Lithograph Date: Circa 1960s-1970s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joan Miró (1893–1983) – Abstract Composition with Whimsical Figures and Stars – Color Lithograph (c. 1960s-1970s)

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This is issue number 213 of the renowned French art magazine Derrière Le Miroir, published by Maeght Éditeur in March 1975. Derrière Le Miroir was famous for featuring works and exhibitions of prominent modern artists, combining high-quality prints and insightful commentary. This issue continues the magazine’s legacy of art publishing, presenting exceptional visual and textual content dedicated to contemporary art of the mid-1970s. Maeght Éditeur was a prestigious French publishing house and gallery founded by Aimé Maeght (1906–1981). The publisher became internationally recognized for its dedication to modern and contemporary art, collaborating with legendary artists such as Joan Miró, Marc Chagall, Alberto Giacometti, and Alexander Calder. Through publications like Derrière Le Miroir, Maeght Éditeur played a pivotal role in documenting and promoting 20th-century art movements, combining innovative graphic design with expert curatorial insight. Artist or Maker:Aimé Maeght Dimensions:38 cm x 28 cm Medium:Printed Art Magazine Date:March 1975 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Aimé Maeght (1906–1981) - Derrière Le Miroir – No. 213 – Maeght Éditeur

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This original lithograph in colors by Bengt Lindström originates from a limited edition artist’s proof (Épreuve d’Artiste). The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925–2008) – Red Ambassador – Lithography

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This original lithograph by Antoni Tàpies, created in 1967, embodies the artist’s philosophical exploration of materiality and gesture. Executed in muted black and grey ink, the print captures a sweeping motion of expressive strokes—almost calligraphic in nature—emerging from the lower left quadrant and diffusing into the negative space of the composition. The dynamic energy and asymmetrical balance convey a meditative, almost zen-like force, characteristic of Tàpies’ interest in Eastern aesthetics, mysticism, and the material presence of the artwork itself. Antoni Tàpies was a Catalan painter, printmaker, and theorist, and one of the most influential European artists of the postwar period. Initially associated with Surrealism and later with Art Informel, Tàpies developed a unique visual language rooted in abstraction, spiritual inquiry, and material experimentation. His work often incorporates unconventional media such as dust, string, and marble dust, blurring the boundary between painting and sculpture. Artist or Maker:Antoni Tàpies Dimensions:51 cm x 61 cm Medium:Original Lithograph Date:1967 (Published by Maeght Éditeur in&nbsp;Derrière Le Miroir) Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Untitled Abstract Composition – Original Lithograph

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This original double-page lithograph by Jean-Paul Riopelle was created in 1974 as part of a limited edition series published in Derrière Le Miroir. The composition features a dynamic interplay of gestural black lines, bold red marks, and soft grey tonal areas, evoking the artist’s signature language of lyrical abstraction. The tension between spontaneity and structure reflects Riopelle’s mature style, in which his energetic mark-making creates rhythmic visual fields. Jean-Paul Riopelle was a leading figure of post-war abstraction in both Canada and France. A member of the Automatistes and a close associate of André Breton and the Parisian avant-garde, Riopelle developed a distinctive mosaic-like technique characterized by thick impasto and vibrant chromatic arrangements. His lithographs extend the language of his paintings into a more graphic realm, preserving the spontaneity and gesture that define his visual identity. Artist or Maker:Jean-Paul Riopelle Dimensions:51 cm x 61 cm Medium:Original Color Lithograph (double-page) Date:1974 (Published by Maeght Éditeur in Derrière Le Miroir) Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jean-Paul Riopelle – Untitled Abstract Composition – Original Lithograph

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This vibrant lithograph titled Composition with Faces is a captivating example of Karel Appel's expressive and bold artistic style. The artwork features abstract representations of faces rendered with dynamic brushstrokes and vivid colours, characteristic of Appel's spontaneous and unfiltered creativity. As a co-founder of the COBRA movement in 1948, Appel sought to break free from traditional artistic conventions, embracing childlike spontaneity and raw emotion. This lithograph is signed and numbered 86/120, indicating its limited edition nature and collectible significance. The work is framed, with overall dimensions of approximately 78 cm × 94 cm, while the lithograph itself measures around 51 cm × 70 cm. Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, best known as a founding member of the avant-garde COBRA group. His works are celebrated for their bold use of colour and abstract forms, which express raw emotion and instinctive creativity. Throughout his career, Appel's art was exhibited globally, solidifying his reputation as one of the most influential European modern artists of the 20th century. Artist or Maker:Karel Appel Dimensions:78 cm × 94 cm Medium:Lithograph Date:1970s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Karel Appel (1921–2006) – Lithograph – Composition with Faces (1970s)

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This original color lithograph titled Les Fleurs was created by American artist Alexander Calder for the renowned French art publication Derrière Le Miroir. Published in 1966 by Maeght Éditeur, Paris, and printed by Maeght’s studio, the work exemplifies Calder’s playful and dynamic visual language, using abstract organic forms in bold red and black hues to evoke a bouquet in motion. Alexander Calder was an American sculptor and artist celebrated for his revolutionary work with kinetic sculpture and his playful, abstract visual language. His collaboration with Maeght resulted in a vibrant series of lithographs capturing the energy and harmony found throughout his oeuvre. This piece exemplifies his ability to merge color and form into a unified, expressive visual statement. Artist or Maker:Alexander Calder Dimensions:38 cm x 28 cm Medium:Color Lithograph Date:1965 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.