Terms and Conditions of Sale and Purchase

We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

Default

Namnlös design.png_8ddb62ea1b46c10

Fine Art. Antique Prints, Maps and Drawings / 05-07-2025, 18:00 CET

None

Ended

Catalog lot cards

Auctions

Auction

Medium

4911f_8ddb59c23cd71dc

This original lithographic cover was published by Maeght Éditeur in Paris in 1979 for issue No. 240 of Derrière Le Miroir, entirely devoted to Edward Kienholz. The composition, printed on thick wove paper, features a juxtaposition of speaker components and reflective planes in tones of black, yellow, and metallic gray. This visual motif mirrors Kienholz's interest in media, communication systems, and objecthood—central concerns of his assemblage practice. His engagement with themes of surveillance, technology, and institutional control is abstracted here into a striking modernist graphic. Edward Kienholz (1927–1994) was a leading figure in American installation art and assemblage. He first gained critical attention in the 1960s for provocative works addressing race, poverty, war, and American consumer culture. His work is housed in major institutions including MoMA, LACMA, and the Stedelijk Museum. Kienholz collaborated with his wife, Nancy Reddin Kienholz, from the 1970s onward, developing a rich visual language of social critique through immersive environments. Artist or Maker: Edward Kienholz Dimensions: 38 cm x 28 cm Medium: Lithographic Print (Cover) Date: 1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Edward Kienholz (1927–1994) – Derrière Le Miroir No. 240 – Lithographic Cover Design (1979)

Closed

4912e_8ddb59c6a5503c5

This edition of Derrière Le Miroir, published by Maeght Éditeur in Paris in 1971, is dedicated to the vibrant and surrealistic work of Richard Lindner. The publication includes several color lithographs and high-quality reproductions, highlighting Lindner’s iconic fusion of machine-like precision, pop eroticism, and theatrical figuration. The cover features two stylized figures locked in a symbolic and ambiguous embrace, referencing Lindner’s recurring interest in costumes, fetishism, and the dynamics of gender and power in urban settings. The booklet captures Lindner’s bold use of color, stylized outlines, and symbolic narratives, making it one of the most visually striking issues in the Derrière Le Miroir series. Richard Lindner (1901–1978) was a German-born painter who became a U.S. citizen after fleeing Nazi Germany and settling in New York. His unique style merged elements of German expressionism, American pop art, and surrealism. Known for his highly original portrayals of modern identity and sexuality, Lindner explored themes of alienation, fetish, and performance through mechanical forms and vivid palettes. His work played a vital role in post-war transatlantic modernism and remains celebrated for its psychological depth and provocative imagery. Artist or Maker: Richard Lindner Dimensions: 38 cm x 28 cm Medium: Illustrated Art Booklet (Color Lithographs and Reproductions) Date: 1971 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Richard Lindner (1901–1978) – Derrière Le Miroir – Illustrated Art Booklet (1971)

4786e_8ddb558a8317bad

This original issue of&nbsp;Derrière Le Miroir&nbsp;is devoted to the series&nbsp;Suite Narwa&nbsp;by Gérard Titus-Carmel and was published by Maeght Éditeur in Paris in 1976. The booklet includes color lithographs and reproductions of Titus-Carmel’s conceptual works centered on themes of construction, tension, and fragile structures rendered with meticulous draftsmanship and poetic abstraction. The publication was part of the legendary art series&nbsp;Derrière Le Miroir, which presented the works of leading 20th-century artists in collaboration with the Maeght Foundation. Gérard Titus-Carmel (born 1942) is a French painter, poet, and writer associated with lyrical abstraction and conceptual drawing. He gained prominence in the 1970s for his investigations into objects, fragmentation, and decay, often explored through delicate ink drawings and serial studies. His works are held in major public collections across Europe, and he has published extensively on art and philosophy. Artist or Maker:Gérard Titus-Carmel Dimensions:38 cm x 28 cm Medium:Illustrated Art Booklet (Color Lithographs and Reproductions) Date:1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Oliviero Toscani (born 1942) - Exhibition Poster - Large Portrait of Andy Warhol - (1976)

4782a_8ddb557daf1842b

This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

4893e_8ddb58a0dbc6689

This original edition of Derrière Le Miroir, published in 1980 by Galerie Maeght, is dedicated to the work of German painter Konrad Klapheck. Known for his surreal depictions of typewriters, sewing machines, telephones and bicycles, Klapheck here presents a series of works that blur the line between objectivity and subconscious tension. The volume includes striking full-page illustrations in both colour and black and white. This copy is signed and inscribed on the first page in blue ink: “Für Frau Gertrud Limberg herzlich – Konrad Klapheck”. The text is presented in French, German, and English. The spine shows minor damage and there is light foxing present, but overall the book remains in fine collectible condition. Artist or Maker:Konrad Klapheck Dimensions:28 cm x 38 cm Medium:Offset-printed artist book with autograph Date:1980 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Konrad Klapheck – Derrière Le Miroir: Klapheck – Illustrated Artist Book with Autograph (1980)

4781a_8ddb557b5b6470d

This original lithograph by Arman Fernandez features an abstract composition characterized by overlapping linear forms and gestural splashes in earthy tones. The print is hand-signed by the artist and numbered, indicating its limited edition nature. Arman, a French-American artist associated with Nouveau Réalisme, was renowned for his exploration of accumulation, destruction, and transformation of objects in both painting and sculpture. This work reflects his dynamic visual language and experimental approach to printmaking during the mid-20th century. Artist or Maker: Arman Fernandez Dimensions: 65 cm x 48 cm Medium: Lithograph on paper Date: Mid 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arman Fernandez (1928–2005) – Abstract Composition – Signed and Numbered Lithograph (Mid 20th Century)

4720a_8ddb55185713e2a

"Welcome Visitors" Serigraphy by Shepard Fairey, hand-signed and dated "21". Frank Shepard Fairey (born February 15, 1970) is an American contemporary artist, activist, and founder of OBEY Clothing who emerged from the skateboarding scene. He is known for the "Andre the Giant Has a Posse" sticker campaign and the Barack Obama "Hope" poster for the 2008 U.S. presidential election. Fairey is recognized as one of the most influential street artists, with his work included in prestigious collections like The Smithsonian and the Museum of Modern Art in New York City. His style is characterized by bold, iconic, and idealized images. Artist of MakerShepard Fairey MediumScreen printing Date2021

Shepard "Obey" Fairey - Welcome Visitors 

4722a_8ddb551c7ca1457

"Lars Tunebo - “The Art Collector” - AI, digital image processing by hand and processed glitter, signed and numbered" Colour giclée titled “The Art Collector” by Lars Tunebo. Mixed digital media, artificial intelligence, and digital image tools by hand, hand-signed and numbered 1/15 by artist. Lars Tunebo, born in 1962 in Lysekil, is a self-taught artist based in Gothenburg. Known for his vibrant artworks blending humor with cultural symbols, he has exhibited widely across Europe, the Middle East, and the United States, captivating collectors with his imaginative animal characters in urban landscapes. Artist or MakerLars Tunebo MediumColour giclée Date2023

Lars Tunebo (1962) - The Art Collector - Mixed digital media, artificial intelligence, and digital image tools by hand

4721a_8ddb551a75fb9dd

”Street Improvements 1 (D-Dog)” Silkscreen on paper, limited edition of 150 exemplars, hand signed and numbered 26/150. Dean Stockton, known as DFace, creates provocative artworks spanning paintings, prints, sculptures, and murals that critique mainstream consumerism and the American dream using a Pop aesthetic. Influenced by New York's graffiti and skateboard cultures, his pieces often reinterpret iconic figures like Mickey Mouse and Kurt Cobain with symbols of mortality and excess. DFace's exhibitions span major cities worldwide, and he has collaborated with brands such as Haig Club, Triumph Motorcycles, and Uniqlo. Artist of MakerDean Stockton MediumColour giclée Date2008

D*Face aka Dean Stockton - Street Improvements 1 (D-Dog) - Limited Edition

4801e_8ddb559fc8afbce

Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) after - Collotype Sitzende Frau (Sitting Frau)

4802e_8ddb55a257503e1

Gustav Klimt (1862-1918) after - Collotype printed in red "Sitzende Frau" (Sitting Frau)

4753e_8ddb555a1fee677

3 vol., folio: [10]-569-[1], [2]-370-[1], [2]-386-[1] pp.; 67 pl. (vol. 1: sm. marg. hole f. 5G, marg. tear in fold of pl. of Villers Abbey, sm. marg. damp stain in lower outer corner of last ff., vol. 2: marg. damp stain in the inner corner on some ff. in the middle and in the upper outer corner at the end, occ. spotting throughout but min. on pl.). - Second ed. of this topographical work, profusely illustrated with large views of abbeys and monasteries. This ed. is particularly interesting from a topographical viewpoint because of some renovations to the buildings since the 1st ed. (1656-1666), the new pl. are oriented differently as&nbsp;well. Engr. ill.: 1 front.-portrait of Sanderus by F. van Bleyswyck, headpiece with portrait and coat of arms of the dedicatee Marie-Elisabeth by F. Bleysweyck, 3 title-vign. by D. Coster, 5 full-page pl. depicting i.a. Our Lady of Montaigu and Archduke Leopold William kneeling before the Virgin of Alsemberg, 61 double-page pl. showing abbeys, monasteries, convents, incl. Affligem, Brussels, Antwerp, Mechelen, Leuven, Averbode, Grimbergen, Tongerlo, Villers, etc., numerous in-text ill. depicting coats of arms of monasteries and their abbots or saints. Title in red &amp; black. - Ref. BB V:64-68:S-216. - STCN. - Prov. G. Bongaerts, pastor, who acquired the 3 vol. for 20 florins in 1806 (ms. entries in vol. 2 and 3). - Unidentified armorial bookpl. with ms. shelf mark (vol. 1). Artist or Maker:Antonius Sanderus Dimensions:37 cm x 25 cm Medium:Printed book with copperplate engravings Date:c.1659 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antonius Sanderus (1586–1664) – Chorographia Sacra Brabantiae – 1659–1674

4767a_8ddb556d9d0a880

Modernism. Braque, Georges, French modernist artist (1882-1963). Braque Lithographe. Preface by Francis Ponge, Notes and catalog established by Fernand Mourlot. Publisher Andfré Saiuret, Paris, 1963. Large 4to in an illustrated cover (lithograph) with an additional transparent cover. Stored in a cardboard box. Contains 3 original lithographs in color: the cover, the frontispiece, and the title vignette. One of 3357 copies. 189 pages with reproductions of Braque's lithographs and descriptions in text.

Georges Braque - Modernism with 3 original lithographs

4769a_8ddb557088d089c

A French translation of Antonio de Solís’ famous chronicle Historia de la conquista de México, originally written in Spanish. This 1730 Paris edition, titled Histoire de la Conquête du Mexique ou de la Nouvelle Espagne, is one of the most influential European accounts of Hernán Cortés’s campaign against the Aztec Empire. Richly illustrated with 6 folding copperplate maps and plates, including scenes of battles and native rituals, the book is a key reference for colonial and Mesoamerican studies. Condition ReportBound in period full leather with raised bands and gilt tooling. The binding shows minor wear, and the plates exhibit some foxing, but the book is otherwise in excellent condition. Artist or Maker:Antonio de Solís y Ribadeneyra Dimensions:25 cm x 20 cm Medium:Printed book with folding copperplate engravings Date:1730

Antonio de Solís y Ribadeneyra (1610–1686) – Histoire de la Conquête du Mexique ou de la Nouvelle Espagne – Printed Book with Copperplate Engravings (1730)