Default

Namnlös design.png_8dde22cd676ef0c

Fine Art. Antique Prints, Maps and Drawings / 30-08-2025, 18:00 CET

None

Ended

Catalog lot cards

Auctions

Auction

Medium

6490c_8dde094062899f8

This detailed hand-colored map depicts the historic County of Tyrol and its surrounding regions in the Eastern Alps, including parts of modern-day Austria, Italy, and Switzerland. It features rivers, mountain ranges, towns, and political boundaries, rendered with fine engraving and vivid outline coloring. The title cartouche in the upper left corner is decorated with allegorical figures and mountainous scenery, evoking the alpine character of the region. The map was published as part of Bequemer Schul- und Reisen-Atlas, the well-regarded travel and school atlas by Johann Christoph Weigel. Johann Christoph Weigel (1654–1725) was a prolific German engraver and publisher based in Nuremberg. He collaborated with the historian Johann David Köhler to produce educational atlases combining geographical accuracy with aesthetic appeal. His maps reflect the Enlightenment’s drive for clarity, structure, and accessibility, making them popular among students, travelers, and collectors throughout Europe. Artist or Maker: Johann Christoph Weigel Dimensions: 29 cm x 35.5 cm Medium: Hand-Colored Engraving Date: Early 18th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johann Christoph Weigel (1654–1725) – Map of the County of Tyrol – Hand-Colored Engraving (Early 18th Century)

Closed

6536c_8dde096dda1d689

This detailed engraved map, titled "PORTVGALLIAE quae olim Lusitania, hodie regnum est." (Portugal, which was formerly Lusitania, today is a kingdom), was designed by Fernando Alvaro Seco and published by Abraham Ortelius. It first appeared in the 1579 Latin addendum to Ortelius's groundbreaking "Theatrum Orbis Terrarum" (Theatre of the World), considered the first true modern atlas. The map meticulously illustrates the geography of Portugal, detailing rivers, cities, mountains, and administrative divisions, reflecting the advanced cartographic knowledge of the 16th century, a period marked by intense Portuguese exploration and imperial expansion. Abraham Ortelius (1527–1598) was a Flemish cartographer and geographer, renowned for creating the "Theatrum Orbis Terrarum" in 1570, which is widely regarded as the first true modern atlas. Ortelius's meticulous compilation of maps from various sources, presented in a uniform format, revolutionized cartography and made geographical knowledge accessible to a broad European audience. Fernando Alvaro Seco (fl. mid-16th century) was a Portuguese cartographer whose surveys and designs were foundational for maps of the Iberian Peninsula in 16th-century atlases. Artist or Maker: Fernando Alvaro Seco (Cartographer); Abraham Ortelius (Publisher) Dimensions: Approximately 35 cm x 48 cm Medium: Engraved Map Date: 1579-1612 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Abraham Ortelius (1527–1598) – Map of Portugalliae (Portugal) – Engraved Map (1579-1612)

6521c_8dde095f99a0631

This finely detailed engraving by Ambroise Tardieu presents a military plan of Peschiera, a fortified city on Lake Garda in Italy. The map shows the city’s fortifications, surrounding terrain, waterways, and roadways with precision, accompanied by a detailed legend identifying key bastions, gates, and other structures. The work reflects early 19th-century military cartography and strategic planning. Ambroise Tardieu was a French cartographer and engraver noted for his detailed maps and plans, particularly military and topographical works. His engravings played an important role in the dissemination of geographic and military knowledge in the early 1800s. Artist or Maker: Ambroise Tardieu Dimensions: 28 cm x 42 cm Medium: Engraving Date: Early 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Ambroise Tardieu (1788–1841)  – Plan of the City of Peschiera on Lake Garda – Engraving (Early 19th Century)

6548c_8dde0977c20240e

This detailed engraved map, titled "CARTE Particuliere DE JAVA, SUMATRA, BORNEO &amp; LES ISLES ETATUES ENTRE LA CHINE ET L'ISLE DE SIAM." (Particular Map of Java, Sumatra, Borneo &amp; the Islands Situated Between China and the Island of Siam), was created by Jacques Nicolas Bellin, Engineer of the Marine. Published in 1758, this map provides a comprehensive cartographic view of key islands in Southeast Asia, including Java, Sumatra, Borneo, and Celebes, as well as the Gulf of Siam and parts of the Chinese coast. It meticulously delineates coastlines, islands, and major geographical features, reflecting 18th-century European knowledge and strategic interest in the region's maritime trade routes. Jacques Nicolas Bellin (1703–1772) was a highly influential French cartographer, hydrographer, and geographer. He served as the first Ingénieur de la Marine and Royal Hydrographer to the King of France, responsible for producing a vast number of charts and maps that were widely regarded for their accuracy and detail. Bellin's work was instrumental in documenting global coastlines and waterways, contributing significantly to navigation and geographical knowledge during the Age of Enlightenment. His prolific output included atlases like the Petit Atlas Maritime and individual charts that were used by navies and merchant fleets worldwide. Artist or Maker: Jacques Nicolas Bellin Dimensions: Approximately 26 cm x 20 cm Medium: Engraved Map Date: 1758 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jacques Nicolas Bellin (1703–1772) – Map of Java, Sumatra, Borneo, and Islands between China and Siam – Engraved Map (1758)

6559c_8dde0981e6859e6

This meticulously detailed engraved map, titled "GERMANIA." (Germany), was created and published by Abraham Ortelius. It first appeared in the initial edition of his groundbreaking "Theatrum Orbis Terrarum" (Theatre of the World) in 1570, widely recognized as the first true modern atlas. The map provides a comprehensive representation of Central Europe, illustrating a vast network of cities, rivers, mountains, and intricate territorial boundaries, reflecting the geopolitical landscape of the Holy Roman Empire during the late 16th century. Its clear engraving and elaborate cartouches are characteristic of Ortelius's renowned style. Abraham Ortelius (1527–1598) was a Flemish cartographer and geographer, celebrated for compiling and publishing the "Theatrum Orbis Terrarum." This monumental work revolutionized cartography by presenting a uniform collection of maps, making geographical knowledge accessible to a broad European audience. Ortelius's precise work significantly influenced subsequent mapmaking and remains a cornerstone of cartographic history. Artist or Maker: Abraham Ortelius Dimensions: Approximately 35 cm x 48 cm Medium: Engraved Map Date: 1570 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Abraham Ortelius (1527–1598) – Ma of Germania (Germany) – Engraved Map (1570)

sold

6618c_8dde0a2df0716b2

This detailed engraved map, split across two pages, features two distinct regions of Central Europe: the Palatinate of Bavaria (PALATINATUS BAVARIAE DESCRIPTIO) on the left, and the Duchy of Württemberg (WIRTENBERGENSIS DUCATVS) on the right. The map of Bavaria credits Erhard Reich of Tyrol as its author. Originating from Sebastian Münster's monumental work, "Cosmographia Universalis" (Universal Cosmography), and first appearing in its 1550 edition, this map provides an intricate representation of rivers, mountainous terrain, and numerous small towns and settlements. It showcases the advanced cartographic knowledge and dense information typical of 16th-century maps. Sebastian Münster (1488–1552) was a highly influential German cartographer, cosmographer, and Hebrew scholar. He is best known for his "Cosmographia Universalis," first published in 1544, which was one of the earliest and most popular German-language descriptions of the world. Münster's work combined geographical and historical information with ethnographic details and city views, making it a foundational text in the development of modern geography and cartography. Erhard Reich (fl. 16th century) was a Tyrolean cartographer whose work contributed to 16th-century regional mapping. Artist or Maker: Sebastian Münster after Erhard Reich Dimensions: Approximately 34 cm x 40 cm Medium: Woodcut Date: 1550 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Sebastian Münster (1488–1552) – Map of the Palatinate of Bavaria and the Duchy of Württemberg – Woodcut (1550)

6736c_8dde157644e936e

This foundational map of New Zealand charts both the North and South Islands as surveyed by Lieutenant James Cook during his first Pacific voyage aboard His Majesty’s Bark Endeavour (1768–1771). The engraving delineates the full coastline, anchorages, compass bearings, and soundings collected between 1769 and 1770, making it the first complete and relatively accurate European map of the country. Numerous place names assigned by Cook appear alongside Māori names transcribed phonetically. The map was published in 1773 in An Account of the Voyages Undertaken by the Order of His Present Majesty…, compiled by John Hawkesworth and authorized by the British Admiralty. It marks a turning point in European geographic understanding of the South Pacific and was instrumental in establishing Cook’s reputation as one of history’s greatest navigators. James Cook (1728–1779), a British explorer, navigator, and cartographer, was the first European to circumnavigate and map the entire coastline of New Zealand. His precise measurements and rigorous methods set new standards for maritime exploration. John Hawkesworth (c.1715–1773), an English writer and editor, was tasked with compiling the official account of Cook’s voyage from the journals and logs of the expedition. Artist or Maker: Captain James Cook (surveyor), published under John Hawkesworth Dimensions: Varies (typically c. 40 × 68 cm for full map) Medium: Copperplate Engraving Date: 1773 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Captain James Cook – Chart of New Zealand Explored in 1769 and 1770 – Original Copperplate Engraving from Hawkesworth’s Voyages – 1773

6665a_8dde0a6f1f16338

"Vrbis Nancei Lotharingiae" This hand-coloured copperplate engraving presents a bird’s-eye view of Nancy, capital of the Lorraine region. The map shows the double-walled city fortifications with detailed depictions of the medieval core and the newer Renaissance city expansion. A numbered legend in French identifies major landmarks, including gates, churches, towers, and civic buildings. The title cartouche in Latin and French notes the year of depiction as 1617 (forma quam hoc Anno MDCXVII habet), while the engraving itself appeared in the second volume of Civitates Orbis Terrarum. This view was published in Civitates Orbis Terrarum, the monumental six-volume city atlas compiled by Georg Braun and Frans Hogenberg. The work became the most comprehensive visual record of early modern cities, combining cartographic accuracy with decorative richness. Nancy is portrayed here in its transformation into a major administrative and military center under the Dukes of Lorraine. Artist or Maker:Georg Braun&nbsp; &amp; Frans Hogenberg Dimensions:52 cm × 39 cm Medium:Engraving Date:1575 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Georg Braun (1541–1622) & Frans Hogenberg (1535–1590) – Map of Nancy / Urbis Nancei Lotharingiae – France (1575)

6686a_8dde0a89995e8af

This detailed engraved map by Jean Janvier shows Europe divided into its main political states according to the latest astronomical observations of the period. The map features precise borders highlighted in color, extensive place names, and decorative elements including a cartouche with military trophies and celestial symbols. It reflects the Enlightenment era’s commitment to scientific accuracy combined with artistic presentation. Jean Janvier (1730–1801) was a distinguished French cartographer and geographer of the late 18th century. He gained recognition for his finely crafted maps which combined scientific rigor with elegant design, contributing significantly to geographic knowledge during the Enlightenment. Janvier’s works were prized for their clarity, detail, and the incorporation of recent astronomical data, helping to advance the accuracy and aesthetic appeal of European cartography. His maps were widely circulated in atlases and scholarly publications, influencing both contemporary and later cartographers. Artist or Maker: Jean Janvier Dimensions: approx. 60 cm × 80 cm Medium: Engraving on laid paper Date: Late 18th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jean Janvier (1730–1801) – Map of Europe Divided into Its Principal States – Engraving (Late 18th Century)

6649c_8dde0a60bc317d7

This detailed engraving, titled "ATABALIBA, fide accepta spe liberatum iri, ad diversa loca suos ablegat afferendi auri &amp; argenti causâ." (Atahualpa, having accepted faith and hoping to be liberated, sends his people to various places for the sake of bringing gold and silver), is a historical plate from Part VI of Theodor de Bry's America, published in 1596. The print depicts a chaotic scene of tribute gathering and plunder, illustrating the Inca emperor Atahualpa's attempt to buy his freedom from the Spanish conquistadors by offering a massive ransom of gold and silver. The scene captures the frantic efforts of his people to fulfill the demand, set against a backdrop of European architectural elements and bustling activity. Theodor de Bry (1528–1598) was a prominent Flemish engraver, goldsmith, and publisher, best known for his comprehensive collection of illustrated travel narratives, "Grands Voyages" (also known as Collectiones Peregrinationum in Indiam Orientalem et Occidentalem), particularly the "America" series. Along with his sons Johann Theodor de Bry (1561–1623) and Johann Israel de Bry (1565–1609), he created a monumental visual archive of early European explorations and encounters with the New World, often based on eyewitness accounts and earlier drawings. Their workshop engravings are celebrated for their detailed historical and ethnographic content. Artist or Maker: Johann Theodor de Bry and Johann Israel de Bry Dimensions: Approximately 28 cm x 19 cm Medium: Engraving Date: 1596 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Theodor de Bry – Atahualpa Sends for Gold and Silver to Gain Freedom – Engraving (1596)

6647c_8dde0a5e734228a

This detailed engraving, titled "HISPANI cum mulieribus, quas in castris &amp; balneis superatæ Atabalibæ repererunt, libidinem suam explent." (Spaniards, having found women whom they conquered in Atahualpa's camps and baths, satisfy their lust), is a historical plate from Part VI of Theodor de Bry's America, published in 1596. The print depicts a brutal scene of violence and sexual assault committed by Spanish soldiers against indigenous women encountered in the camps and baths of the defeated Inca emperor Atahualpa. Set in a natural landscape, the illustration is a stark visual record of the atrocities that occurred during the Spanish conquest of Peru, highlighting the harsh realities faced by indigenous populations. Theodor de Bry (1528–1598) was a prominent Flemish engraver, goldsmith, and publisher, best known for his comprehensive collection of illustrated travel narratives, "Grands Voyages" (also known as Collectiones Peregrinationum in Indiam Orientalem et Occidentalem), particularly the "America" series. Along with his sons Johann Theodor de Bry (1561–1623) and Johann Israel de Bry (1565–1609), he created a monumental visual archive of early European explorations and encounters with the New World, often based on eyewitness accounts and earlier drawings. Their workshop engravings are celebrated for their detailed historical and ethnographic content. Artist or Maker: Johann Theodor de Bry and Johann Israel de Bry Dimensions: Approximately 28 cm x 19 cm Medium: Engraving Date: 1596 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Theodor de Bry – Spanish Soldiers Violating Indigenous Women (Conquest of Atahualpa's Camps) – Engraving (1596)

6465a_8dde090fccd4cbb

This atmospheric aquatint engraving, titled "FLEUVE D'AALEN PRES DE SON EMBOUCHURE." (River Aalen near its Mouth), is Plate III from Anders Fredrik Skjöldebrand’s notable work, "Voyage du Cap Nord" (Journey to the North Cape), published in 1802. The print depicts a vast and dramatic river landscape, with the river meandering through a mountainous terrain under a cloudy sky. A solitary tree on the right foreground adds to the picturesque and evocative quality of the scene, typical of early 19th-century landscape art. Anders Fredrik Skjöldebrand (1749–1834) was a distinguished Swedish military officer, cartographer, writer, and artist. His extensive travels through northern Europe, particularly his journey to the North Cape, provided the material for his celebrated topographical works. Skjöldebrand's meticulous observations and artistic skill combined to create detailed and atmospheric views of landscapes, which contributed significantly to the visual documentation of Sweden and its surrounding regions during the Romantic era. Artist or Maker: Anders Fredrik Skjöldebrand Dimensions: Approximately 27 cm x 40 cm Medium: Aquatint Engraving Date: 1802 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Anders Fredrik Skjöldebrand – River Aalen near its Mouth – Aquatint Engraving (1802)

6466a_8dde09117cbb473

This atmospheric aquatint engraving, titled "L'EGLISE D'ENONTEKIS DANS LA LAPONIE SUEDOISE." (The Church of Enontekis in Swedish Lapland), is Plate X from Anders Fredrik Skjöldebrand’s notable work, "Voyage du Cap Nord" (Journey to the North Cape), published in 1802. The print depicts a panoramic landscape view of the church and a settlement near a lake or river, surrounded by rolling hills and dense forests. Figures are visible in the foreground, lending a sense of scale and human presence to the vast natural environment. This illustration captures a specific location in Swedish Lapland, reflecting the topographical and artistic aims of early 19th-century travel documentation. Anders Fredrik Skjöldebrand (1749–1834) was a distinguished Swedish military officer, cartographer, writer, and artist. His extensive travels through northern Europe, particularly his journey to the North Cape, provided the material for his celebrated topographical works. Skjöldebrand's meticulous observations and artistic skill combined to create detailed and atmospheric views of landscapes, which contributed significantly to the visual documentation of Sweden and its surrounding regions during the Romantic era. Artist or Maker: Anders Fredrik Skjöldebrand Dimensions: Approximately 27 cm x 40 cm Medium: Aquatint Engraving Date: 1802 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Anders Fredrik Skjöldebrand (1749–1834) – The Church of Enontekis in Swedish Lapland (L'Eglise d'Enontekis dans la Laponie Suedoise) – Aquatint Engraving (1802)

Sold

6552a_8dde097ad169231

This finely detailed hand-colored engraving depicts the “Lory de la Chine,” a vividly red lory perched on a branch, taken from the influential ornithological series produced by François Martinet during the late 18th century. Each bird was illustrated with precision and delicately hand-colored, reflecting the European fascination with exotic avifauna of Asia and the Pacific. This specimen exemplifies Martinet’s elegant draftsmanship, typified by clear outlines, saturated pigments, and minimal background distractions that focus attention on the bird’s morphology. “Lory de la Chine” likely refers to a type of lory or lorikeet known in European classifications of the time, often sourced through colonial trade networks or naturalist voyages. François Martinet was a French engraver and illustrator active during the latter half of the 18th century. He is best known for his contributions to Buffon’s “Histoire Naturelle,” for which he produced hundreds of ornithological plates. His engravings are valued for their clarity, delicate coloring, and scientific accuracy, bridging the worlds of art and natural history in Enlightenment France. Artist: François Martinet Dimensions: 28 x 20 cm Medium: Hand-Colored Copperplate Engraving Date: 1780 Condition Report: This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.