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Fine Art. Antique Prints, Maps and Drawings / 06-09-2025, 18:00 CET

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This hand-colored lithograph from Curtis's Botanical Magazine provides a comprehensive botanical study of the Pandorea jasminoides, a climbing plant with distinctive lilac-colored flowers. The print features a cluster of the bell-shaped blossoms and large green leaves, rendered with meticulous attention to detail. The composition also includes detailed uncolored diagrams of the plant's parts, showcasing the scientific rigor of the work. This piece is a testament to the era's sophisticated botanical illustration, combining artistic skill with a commitment to scientific documentation to create an informative and aesthetically pleasing image. Walter Hood Fitch was a renowned Scottish botanical illustrator who served as the chief artist for Curtis's Botanical Magazine for over forty years. His prolific career produced more than 10,000 botanical drawings, earning him a reputation for speed, accuracy, and artistic quality. Fitch's work was instrumental in documenting the vast number of new plant species discovered during the 19th century, and his illustrations became a benchmark for botanical art. He is considered one of the most important botanical artists of his time. Artist or Maker: Walter Hood Fitch&nbsp; Dimensions: Approximately 29 x 22 cm&nbsp; Medium: Hand-colored Lithograph&nbsp; Date: 1870 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Walter Hood Fitch (1817–1892) – Pandorea jasminoides – Hand-colored Lithograph (1870)

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This hand-colored lithograph from Curtis's Botanical Magazine provides a comprehensive botanical study of an Amaryllis species, known today by the genus Hippeastrum. The print features a cluster of vibrant pink blossoms with their delicate forms and striking internal patterns, set against bold green foliage. This piece exemplifies the high standard of scientific illustration during the Victorian era, combining the artistic skill of Walter Hood Fitch with the meticulous botanical documentation required to accurately portray new and exotic plants for a wide audience. Walter Hood Fitch was a renowned Scottish botanical illustrator who served as the chief artist for Curtis's Botanical Magazine for over forty years. His prolific career produced more than 10,000 botanical drawings, earning him a reputation for speed, accuracy, and artistic quality. Fitch’s work was instrumental in documenting the vast number of new plant species discovered during the 19th century, and his illustrations became a benchmark for botanical art. He is considered one of the most important botanical artists of his time. Artist or Maker: Walter Hood Fitch&nbsp; Dimensions: Approximately 29 x 22 cm&nbsp; Medium: Hand-colored Lithograph&nbsp; Date: 1871 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Walter Hood Fitch (1817–1892) – Amaryllis (Hippeastrum) Flowers – Hand-colored Lithograph (1871)

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This original copperplate engraving, titled Limaçons à Bouche demironde (Semi-rounded-mouth land snails), is Plate 40 from Antoine-Joseph Dézallier d’Argenville’s influential work L’Histoire naturelle éclaircie dans deux de ses parties principales, la lithologie et la conchyliologie, published in Paris by De Bure l’Aîné in 1742. The engraving presents 32 labeled specimens of snail shells, each rendered with precise detail to highlight differences in form, pattern, and texture. This plate was designed by François Boucher and engraved by Quentin Pierre Chedel, merging scientific taxonomy with the decorative flair of the Rococo. The plate bears a dedication to Monsieur Bon le Père, President of the Royal Society of Sciences of Montpellier and corresponding member of the Paris and Montpellier Academies, further emphasizing the Enlightenment context of collaborative scientific advancement. Artist or Maker:Quentin Pierre Chedel after François Boucher Dimensions:29 cm x 21 cm Medium:Copperplate Engraving Date:1742 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Quentin Pierre Chedel after François Boucher – Limaçons à Bouche demironde

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This original copperplate engraving comes from the first edition of L’Histoire naturelle éclaircie dans deux de ses parties principales, la lithologie et la conchyliologie, published in Paris in 1742 by De Bure l’Aîné. The engraving, titled Fluors, Congélations, Pétrifications, is part of a scientifically and artistically significant series that illustrates mineral specimens and fossilized forms. It depicts crystalline formations referred to as “Fluor métallique,” as well as petrified marine and terrestrial specimens, all labeled and rendered with extraordinary detail. The composition was designed by François Boucher, one of the leading Rococo painters of the 18th century, and engraved by Quentin Pierre Chedel, a noted French printmaker. Their collaboration resulted in some of the most visually refined natural history illustrations of the Enlightenment era. Artist or Maker:Quentin Pierre Chedel after François Boucher Dimensions:29 cm x 21 cm Medium:Copperplate Engraving Date:1742 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Quentin Pierre Chedel after François Boucher – Fluors - Engraving (1742)

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This lithograph is an untitled abstract composition by the acclaimed Canadian artist Jean-Paul Riopelle. The work is characterized by a dynamic interplay of gestural lines and forms in black, brown, and gray tones. The print reflects Riopelle's signature style of Lyrical Abstraction, where spontaneous, energetic marks create a sense of movement and depth. It is a powerful example of the artist's late career printmaking and his continued exploration of non-representational art. Jean-Paul Riopelle was a major figure in 20th-century Canadian art and a key member of the Automatistes movement in Montreal. He gained international recognition for his large-scale paintings and sculptures, which were heavily influenced by Abstract Expressionism and Lyrical Abstraction. Riopelle's work is celebrated for its energy, texture, and emotional intensity, and he remains one of Canada's most important modern artists. Artist or Maker: Jean-Paul Riopelle&nbsp; Dimensions: Approximately 76 x 56 cm&nbsp; Medium: Lithograph&nbsp; Date: 1970 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jean-Paul Riopelle (1923–2002) – Untitled Abstract Composition – Lithograph (1970)

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This lithograph is an untitled abstract composition by the French artist Claude Garache. The work is a double-page spread from the prestigious art review Derrière le miroir, featuring a pair of red gestural forms that are reminiscent of abstracted human figures. The application of the red ink is thick and textured, giving the print a raw, painterly quality. The work exemplifies Garache's signature style, which often explores the human form through minimalist, powerful brushstrokes and a vibrant use of red. Claude Garache is a French painter and sculptor known for his distinctive and consistent artistic vision. His work, characterized by a focus on the female figure rendered in bold, monochromatic strokes of red or black, has been widely exhibited, particularly at the Maeght gallery. He is a respected figure in contemporary French art, celebrated for his unique ability to convey movement and sensuality through abstract forms. Artist or Maker: Claude Garache&nbsp; Dimensions: Approximately 38 x 56 cm&nbsp; Medium: Lithograph&nbsp; Date: 1971 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Claude Garache (b. 1929) – Untitled Composition – Lithograph (1971)


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This original lithograph in colors by Bengt Lindström originates from a limited edition artist’s proof (Épreuve d’Artiste). The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925–2008) – Red Ambassador – Lithography

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This vibrant lithograph titled Composition with Faces is a captivating example of Karel Appel's expressive and bold artistic style. The artwork features abstract representations of faces rendered with dynamic brushstrokes and vivid colours, characteristic of Appel's spontaneous and unfiltered creativity. As a co-founder of the COBRA movement in 1948, Appel sought to break free from traditional artistic conventions, embracing childlike spontaneity and raw emotion. This lithograph is signed and numbered 86/120, indicating its limited edition nature and collectible significance. The work is framed, with overall dimensions of approximately 78 cm × 94 cm, while the lithograph itself measures around 51 cm × 70 cm. Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, best known as a founding member of the avant-garde COBRA group. His works are celebrated for their bold use of colour and abstract forms, which express raw emotion and instinctive creativity. Throughout his career, Appel's art was exhibited globally, solidifying his reputation as one of the most influential European modern artists of the 20th century. Artist or Maker:Karel Appel Dimensions:78 cm × 94 cm Medium:Lithograph Date:1970s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Karel Appel (1921–2006) – Lithograph – Composition with Faces (1970s)

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This print is the cover of Derrière le miroir, issue No. 173, which was dedicated to an exhibition of works by Alexander Calder. The cover features a black-and-white photograph of one of Calder's large-scale stabiles, L'Araignée Rouge (The Red Spider), which was a major public artwork installed at the Exposition Universelle in Montreal in 1967. The Eiffel Tower is visible in the background, contrasting the modernist sculpture with a classic Parisian landmark. The cover is an iconic piece of graphic design that links one of the most important artists of the 20th century with a celebrated art review. Alexander Calder was a highly influential American sculptor and a pioneer of kinetic art. He is best known for inventing the mobile, a type of sculpture that moves with air currents, and the stabile, a stationary, often monumental, abstract sculpture. His work is celebrated for its playful use of color, form, and movement, and he remains one of the most important figures in modern art. Artist or Maker: Alexander Calder&nbsp; Dimensions: Approximately 38 x 28 cm&nbsp; Medium: Offset Lithograph&nbsp; Date: 1968 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Alexander Calder (1898–1976) – Derrière le miroir, Issue No. 173, Cover – Offset Lithograph (1968)

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This lithograph is an untitled abstract composition by the Spanish artist Antoni Tàpies. The work is a double-page spread from the prestigious art review Derrière le miroir, issue No. 180, published in 1969. The composition features a single, bold, horizontal brushstroke of red paint running across the center of the white pages. A denser application of paint in the middle creates a focal point, emphasizing the raw, gestural quality of the artist's work. It is a minimalist yet powerful example of Tàpies's exploration of matter and texture. Antoni Tàpies was a prominent Spanish painter, sculptor, and art theorist. He was a leading figure in the Art Informel and Abstract Expressionism movements. His work is characterized by a unique approach to mixed media, incorporating unconventional materials and textures into his canvases. Tàpies is one of Spain's most celebrated artists of the 20th century, known for his ability to convey profound emotion and philosophical concepts through abstract form. Artist or Maker: Antoni Tàpies&nbsp; Dimensions: Approximately 38 x 56 cm&nbsp; Medium: Lithograph&nbsp; Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Untitled Composition – Lithograph (1969)

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This lithograph is a striking Art Nouveau poster for the aperitif "Quinquina Dubonnet," taken from the prestigious Les Maîtres de l'Affiche series. The print features a vibrant and dynamic figure of a woman, rendered in Chéret's signature style. She is shown in a flowing, pale green dress with a feathered hat, seemingly caught in a moment of celebration as she holds a bottle of the advertised drink aloft. The poster is a prime example of Chéret's innovative use of color and motion to create captivating commercial art, with the bold red and blue text advertising the product's availability in all cafés. This plate represents the commercial and artistic collaboration that defined the Belle Époque in Paris. Jules Chéret was a celebrated French lithographer and painter, widely regarded as the "father of the modern poster." A pioneer of the Belle Époque, he revolutionized the art of poster making with his innovative three-stone lithography process, which allowed for brilliant color reproduction. His posters, known for their expressive and joyous "Chérettes," transformed public spaces into open-air art galleries and established a new standard for commercial advertising. His work became highly sought after, and he was the featured artist of the renowned Les Maîtres de l'Affiche series, which published the best posters of the era in a collectible format. Artist or Maker: Jules Chéret&nbsp; Dimensions: Approximately 31.5 x 24.5 cm&nbsp; Medium: Lithograph, from Les Maîtres de l'Affiche&nbsp; Date: 1896&nbsp; Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jules Chéret (1836–1932) – Poster for "Quinquina Dubonnet" – Lithograph (1896)


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This lithograph is an elegant Art Nouveau poster advertising "Gigolette" at the Ambigu Comique theater, published in the esteemed Les Maîtres de l'Affiche series. The print features a woman in a relaxed pose, perched on a table with a confident demeanor. She is depicted in a bold yellow blouse and a flowing blue skirt, contrasting with the more muted, sketchy background of a nighttime scene. The composition and style are characteristic of Albert Guillaume's work, which often captured the social life and theatrical scenes of the Belle Époque with a touch of caricature and wit. This plate represents the era's sophisticated commercial art and its role in publicizing Parisian entertainment. Albert Guillaume was a prominent French painter, caricaturist, and poster artist of the Belle Époque. He was particularly known for his witty social commentary and his contributions to illustrated satirical journals such as Le Figaro illustré. Guillaume’s posters are celebrated for their lively and spirited depictions of Parisian life, reflecting the energy of the era. His work was frequently featured in the influential Les Maîtres de l'Affiche series, establishing him as a key figure in the golden age of poster art. Artist or Maker: Albert Guillaume&nbsp; Dimensions: Approximately 31.5 x 24.5 cm&nbsp; Medium: Lithograph, from Les Maîtres de l'Affiche&nbsp; Date: 1898&nbsp; Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Albert Guillaume (1863–1942) – Poster for "Gigolette" at the Ambigu Comique – Lithograph (1898)

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This lithograph is an iconic Art Nouveau poster for the "Pantomimes Lumineuses" (Luminous Pantomimes), a show at the Musée Grévin, and was featured in the prestigious Les Maîtres de l'Affiche series. The print depicts a dynamic and joyous scene, with a woman in a flowing yellow dress dancing at the center. She is surrounded by a shadowy Pierrot-like figure and another dancer, conveying the lighthearted and theatrical nature of the show. The poster promotes the "Théâtre Optique" of Émile Reynaud, a significant precursor to modern cinema, with music by Gaston Paulin. This vibrant print is a celebrated example of Chéret's ability to create lively and attractive commercial art that captures the spirit of the Belle Époque. Jules Chéret was a celebrated French lithographer and painter, widely regarded as the "father of the modern poster." A pioneer of the Belle Époque, he revolutionized the art of poster making with his innovative three-stone lithography process, which allowed for brilliant color reproduction. His posters, known for their expressive and joyous "Chérettes," transformed public spaces into open-air art galleries and established a new standard for commercial advertising. His work became highly sought after, and he was the featured artist of the renowned Les Maîtres de l'Affiche series, which published the best posters of the era in a collectible format. Artist or Maker: Jules Chéret&nbsp; Dimensions: Approximately 31.5 x 24.5 cm&nbsp; Medium: Lithograph, from Les Maîtres de l'Affiche&nbsp; Date: 1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jules Chéret (1836–1932) – Poster for "Pantomimes Lumineuses" at the Musée Grévin – Lithograph (1897)

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This lithograph is an iconic Art Nouveau poster advertising the Théâtrophone, a service that allowed subscribers to listen to live performances from Parisian theaters and operas over the telephone. Part of the prestigious Les Maîtres de l'Affiche series, the print features one of Chéret's signature "Cherettes," a lively woman in a yellow dress and a feathered hat, captivated by the sound from her handset. A gentleman in evening attire stands discreetly behind her, hinting at the sophisticated nature of the service. This work captures the excitement of a new form of technological entertainment during the Belle Époque and showcases Chéret's mastery of dynamic composition and brilliant color. Jules Chéret was a celebrated French lithographer and painter, widely regarded as the "father of the modern poster." A pioneer of the Belle Époque, he revolutionized the art of poster making with his innovative three-stone lithography process, which allowed for brilliant color reproduction. His posters, known for their expressive and joyous "Chérettes," transformed public spaces into open-air art galleries and established a new standard for commercial advertising. His work became highly sought after, and he was the featured artist of the renowned Les Maîtres de l'Affiche series, which published the best posters of the era in a collectible format. Artist or Maker: Jules Chéret&nbsp; Dimensions: Approximately 31.5 x 24.5 cm&nbsp; Medium: Lithograph, from Les Maîtres de l'Affiche&nbsp; Date: 1897&nbsp; Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jules Chéret (1836–1932) – Poster for the Théâtrophone – Lithograph (1897)

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This print is an offset lithograph on paper, produced after an original drawing by Henri Matisse. The work depicts a human figure in a seated or kneeling position, rendered in an expressive and highly abstract style. The composition is defined by both loose, gestural charcoal smudges and sharp, angular lines that delineate the form in a simplified, almost cubist manner. It is a powerful example of Matisse's late-career exploration of the human figure, which he distilled to its most essential forms. Henri Matisse was a highly influential French artist, celebrated as a master of modern art. He was a leading figure in the Fauvist movement, known for his bold use of color and expressive forms. Throughout his long career, he worked in a variety of mediums, including painting, sculpture, and drawing, always maintaining a focus on line, color, and the human figure. His work remains a cornerstone of 20th-century art. Artist or Maker: Henri Matisse (after)&nbsp; Dimensions: Approximately 40 x 30 cm&nbsp; Medium: Offset Lithograph on paper Date: c. 1970 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henri Matisse (1869–1954) – Untitled – Offset Lithograph on Paper (c. 1970)

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This print is a lithograph of a drawing by Henri Matisse, featuring a seated female nude seen from behind. The figure is rendered with the artist's characteristic economy of line, using fluid, continuous strokes to define the form. The simple yet confident lines capture the posture and volume of the body with a minimalist elegance. The signature at the bottom left reads "H. Matisse" with the date "Oct. '49," placing the drawing in a late and highly productive period of the artist's career, when he was celebrated for his mastery of line drawing. Henri Matisse was a highly influential French artist, celebrated as a master of modern art. He was a leading figure in the Fauvist movement, known for his bold use of color and expressive forms. Throughout his long career, he worked in a variety of mediums, including painting, sculpture, and drawing, always maintaining a focus on line, color, and the human figure. His work remains a cornerstone of 20th-century art. Artist or Maker: Henri Matisse&nbsp; Dimensions: Approximately 40 x 30 cm&nbsp; Medium: Lithograph&nbsp; Date: 1949 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.