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 Fine Art. Antique Prints, Maps and Drawings / 02-08-2025, 18:00 CET

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This is issue number 227 of the renowned French art magazine Derrière Le Miroir, published by Maeght Éditeur in January 1978. The magazine continues its legacy of featuring high-quality reproductions and critical essays on the works and exhibitions of leading modern and contemporary artists. This edition showcases significant artistic developments of the late 1970s, providing valuable insights into the visual arts scene. Aimé Maeght (1906–1981) was a prominent French art dealer, collector, and publisher. He founded the Maeght Gallery and Maeght Éditeur and was instrumental in promoting modern and contemporary art internationally. Collaborating with iconic artists such as Joan Miró, Marc Chagall, and Alberto Giacometti, Maeght’s publishing house produced Derrière Le Miroir, a key platform for art exhibitions and discourse. Artist or Maker:Maeght Éditeur Dimensions:38 cm x 28 cm Medium:Printed Art Magazine Date:January 1978 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Aimé Maeght (1906–1981) – Derrière Le Miroir – No. 227 – Maeght Éditeur

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This is issue number 219 of the renowned French art magazine Derrière Le Miroir, published by Maeght Éditeur in May 1976. The magazine is known for showcasing works and exhibitions by prominent modern and contemporary artists, combining high-quality prints with insightful commentary. This issue continues the tradition of exceptional art publishing, presenting significant contributions to the visual arts during the mid-1970s. Aimé Maeght (1906–1981) was a prominent French art dealer, collector, and publisher. He founded the Maeght Gallery and Maeght Éditeur and played a major role in promoting modern and contemporary art internationally. He collaborated with celebrated artists such as Joan Miró, Marc Chagall, and Alberto Giacometti. Through his publishing house, Maeght produced Derrière Le Miroir, a vital platform for art exhibitions and critical discourse. Artist or Maker:Maeght Éditeur Dimensions:38 cm x 28 cm Medium:Printed Art Magazine Date:May 1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Aimé Maeght (1906–1981) – Derrière Le Miroir – No. 219 – Maeght Éditeur

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The rare collection of 4 graphic works includes preparatory sketches and drafts for the creation of set designs for Eduardo De Filippo’s "Il Contratto". The premiere took place in 1967 at the San Ferdinando Theater in Naples. Although these are preparatory drawings, they showcase the remarkable artistic quality of Renato Guttuso, evident in his bold black lines that vividly depict tangible realities. This series reflects two key elements of Guttuso's art: his realism, characterized by detailed representation, and his precise exploration of volumes and geometric forms across multiple perspectives. Renato Guttuso, born in Bagheria in 1911 and passed away in Rome in 1987, was an artist deeply engaged in politics and social issues. His art stemmed from socialist ideals and indignation against social injustice and abuses of power. He was part of the Fronte Nuovo delle Arti group, developing a Realist-Expressionist style and creating his "social art." His most notable works of Neorealist art include masterpieces like Fucilazione in Campagna and Fuga dall’Etna. He was also elected senator twice, in 1976 and 1979, for the Italian Communist Party. Artist or maker:Renato Guttuso Dimensions:46 cm x 65 cm Medium:Serigraphy Date:not indicated, probably from 1967 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Renato Guttuso (1911-1987) - Rare Set of 4 scenographic sketches for Eduardo De Filippo’s "Il Contratto" - Hand-signed - Silkscreen / Serigraph

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This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

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This original issue of&nbsp;Derrière Le Miroir&nbsp;is devoted to the series&nbsp;Suite Narwa&nbsp;by Gérard Titus-Carmel and was published by Maeght Éditeur in Paris in 1976. The booklet includes color lithographs and reproductions of Titus-Carmel’s conceptual works centered on themes of construction, tension, and fragile structures rendered with meticulous draftsmanship and poetic abstraction. The publication was part of the legendary art series&nbsp;Derrière Le Miroir, which presented the works of leading 20th-century artists in collaboration with the Maeght Foundation. Gérard Titus-Carmel (born 1942) is a French painter, poet, and writer associated with lyrical abstraction and conceptual drawing. He gained prominence in the 1970s for his investigations into objects, fragmentation, and decay, often explored through delicate ink drawings and serial studies. His works are held in major public collections across Europe, and he has published extensively on art and philosophy. Artist or Maker:Gérard Titus-Carmel Dimensions:38 cm x 28 cm Medium:Illustrated Art Booklet (Color Lithographs and Reproductions) Date:1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Oliviero Toscani (born 1942) - Exhibition Poster - Large Portrait of Andy Warhol - (1976)

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Modernism. Braque, Georges, French modernist artist (1882-1963). Braque Lithographe. Preface by Francis Ponge, Notes and catalog established by Fernand Mourlot. Publisher Andfré Saiuret, Paris, 1963. Large 4to in an illustrated cover (lithograph) with an additional transparent cover. Stored in a cardboard box. Contains 3 original lithographs in color: the cover, the frontispiece, and the title vignette. One of 3357 copies. 189 pages with reproductions of Braque's lithographs and descriptions in text.

Georges Braque - Modernism with 3 original lithographs

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DLM publié en avril 1966 pour l’exposition de 254 œuvres en hommage à la Revue Blanche à la Galerie Maeght. Texte d’Annette Vaillant et Jacques Salomon. 48 pages non reliées. 3 reproductions en impression lithographique en couleurs d’après Bonnard, Roussel, Vuillard. 8 reproductions en impression lithographique en noir d’après Toulouse-Lautrec, Vuillard, Bonnard, Seurat… Tirage original. Artist or Maker:Pierre Bonnard Dimensions:38 cm x 28 cm Medium:Lithograph Poster, Illustrated Album Date:1894 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pierre Bonnard (1867–1947) – La Revue Blanche – Complete Portfolio – Lithograph Poster and Illustrated Album (1894 / 1966)

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This elegant ink and wash portrait depicts a young man with long curled hair, a stylized beret-like cap, and a dramatic ruffled collar. The subject’s idealized facial features and attire suggest a historicizing or theatrical theme, common in 19th-century academic and decorative portrait studies. The inscription “La Caille” below the figure may refer to a character name or a creative title rather than a specific identity. Likely originating from a European school of the early-to-mid 19th century, the drawing exemplifies the precision and romantic flair of portrait sketching from the period. Artist or Maker:Unknown, European School Dimensions:22 cm x 24 cm Medium:Ink and wash on paper Date:19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Man in a Cap – Ink Drawing on Paper

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Original 18th-century drawing in sepia ink and wash attributed to the European academic school, depicting a young woman in three-quarter view with refined features, ruffled clothing, and period hairstyle. The inscription “Mlle Bonthaux” suggests a personal or commissioned portrait. Executed with precise ink work and tonal modulation, the piece reflects the portrait conventions and draftsmanship practices of the 1700s. Artist or Maker:Unknown Dimensions:19 cm x 26 cm Medium:Ink and wash on paper Date:1700s Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Unknown – European School (18th Century) – Portrait of a Woman in Sepia Ink

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This caricature-like ink drawing from the 19th century presents a theatrical or comic portrait of a man wearing round spectacles and a ruffled bonnet tied with ribbons. His expression is serious yet exaggerated, and the ruff collar and costume suggest a burlesque or comedic figure, possibly from stage or satirical tradition. The drawing is rendered in brown ink with confident line work and areas of subtle wash for depth. It is inscribed faintly with the name “Rosetti,” though the attribution remains uncertain. The work is typical of the European School’s interest in theatrical character studies and humorous types. Artist or Maker: European School Dimensions: 21 cm x 16 cm Medium: Ink Drawing on Paper Date: 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Man in Spectacles and Frilled Cap – Ink Drawing (19th Century)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.